This is a weird, weird book. It is the sequel to the outstanding Heroes Die, the first in Matthew Stover’s Acts of Caine series. It abandons a lot of what worked well in the first book and doubles down on things that didn’t, but it’s sheer ambition is giddying. Stover goes all out here and it results in a book which is a structural mess and becomes borderline incoherent, but is an undeniably fascinating read. I don’t think I’ve ever read a fantasy novel like this.
Blade of Tyshalle takes place seven years after Heroes Die: Hari Michaelson, famed as the Actor for Caine, has been left crippled after the conclusion of the previous book and is now living his ‘happy ending’ as the Administrator for the Studio for which he used to work. Things are far from perfect, with a tense marriage to his wife Shanna and a dangerous nostalgia for his violent past as Caine. His purest joy is his adopted daughter Faith, child of Shanna and Lamorak. His closest companion is former nemesis Ma’elkoth, the former Emperor of Ankhana who was dragged along with Hari when he last left Overworld and unable to return, now known as Tan’elkoth. Hari’s quiet life is interrupted when he discovers an outbreak of HRPV in Overworld, a mutated and more deadly form of rabies which had swept the Earth decades prior. With no immunity or vaccination, the people of Overworld are defenceless from a hideous death and so Hari sets about to get to the bottom of the outbreak, dragging him back into the habits of the past and re-awakening the dormant Caine within him.
Heroes Die was a relatively focused novel, taking place over six days and primarily within one city. Blade of Tyshalle has no such structure, or seemingly any structure at all. The frustrating thing is just how frequently brilliant this book is; there are isolated chapters which are as good as anything else you’ll read in the genre, but there are a lot which descend into endless mythological and metaphysical mumbo-jumbo. I loved the opening, which shows us Hari’s early days training to be an Actor through the eyes of Kris Hansen, who wants nothing more than to live in Overworld as an elf-like Primal. The biggest issue is the emergence of the true villain, a figure whose presence doesn’t gel at all with the previous book and is too abstract to truly fear. The core of humanity which made the previous book so good is still there, but there’s an unbelievable amount of time spent on conflicts which involve one demi-God communicating with another demi-God in an incomprehensible manner. When Blade of Tyshalle brings itself back down to Earth the book soars, but much of the climax is robbed of impact. It seeks to be too epic, with a villain who is essentially a manifestation of the worst vices of human nature, but this is a story which works best when it is about scrapping in the streets.
From a prose standpoint though, Blade of Tyshalle is seriously great. The action scenes are still pretty much the best I’ve read. I may not have thought it possible to crank up the violence any further from Heroes Die but, well, here it is. This time though…I think he went a too far. The violence in Heroes Die felt like a winking allusion towards a shift in fantasy tastes at the time but Blade of Tyshalle doesn’t function as a commentary on the fantasy genre as well as Heroes Die. The violence, and some of it really is stomach churning, feels like shock for shocks sake. Rape, both physical but also mental, shows up time and again in the story. The victims are denied any real voice, both before or after and once again it feels like it was deployed for shock value. The world building and dialogue are top notch, but it feels like Stover descends into self-indulgence here and without the defence of being a satire that could be claimed by Heroes Die.
Caine/Hari continues to be so much more interesting than he sounds, with new character such as Hari’s academy friend Kris and the vengeance driven monastic warrior Raithe being well and fully drawn. As I said before, the main villain is the weakest link and never manages to match up to the brilliant trio of antagonists from Heroes Die: Ma’elkoth, Count Berne and Arturo Kollberg. One of the most interesting themes of this novel is that of friendship. Caine has a lot of odd friendships, forged in strange ways, which arise throughout the novel. One of the chief joys of Blade of Tyshalle is the bizarre love/hate relationship between Caine and Tan’elkoth, former nemeses who, by circumstance, have become best friends, but it’s far from the only relationship like this. Betrayal is the mirror theme of friendship and is also core to the narrative and it’s these complex, shifting relationships which kept me most engaged in the book.
Blade of Tyshalle is hugely ambitious book which falls short of the mark. It’s too long and self-indulgent and could have done with a pretty brutal editing. There’s so much potential in this book, so many interesting ideas and characters toyed with, which are abandoned in favour of a fuzzy and vague message about humans being better as individuals and more flawed as a collective…or something? I don’t really know what this book is trying to say. Heroes Die was a relatively straight forward satire of the fantasy market and the human lust for violence and it worked so much better than whatever this is. Blade of Tyshalle is a very interesting book and one which I think I’m going to think about for a while, but it’s too unfocused to be the genuine classic Heroes Die is.